Dec. 8th, 2008

December 7, 2008

'Doubt' and Doubts of a Workingman

By DAVID CARR
WHEN John Patrick Shanley steps into a Midtown Manhattan hangout known for its theater clientele, few would guess how much he belonged.

There is little about his sure gait, workingman hands or no-nonsense affect that flicks at the artist within, let alone a playwright, often the more delicately wrought of the species. Only the eyes, weakened by glaucoma but working, suggest anything other than a tough guy from the Bronx. And in that gaze he is constantly calibrating everything around him, seeing a great deal and concluding not much.

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