NYT: An Evolving Portrait of Anguish
Jun. 9th, 2009 09:11 pmJune 7, 2009
An Evolving Portrait of Anguish
By BRUCE WEBER
THE actress Alice Ripley lives on Long Island, and not long ago she was on her way to work at the Booth Theater on Broadway when she broke her index finger, catching it in a train station door.
“The train had pulled in, and it happened just then,” she recalled over lunch in the theater district recently, a splint on her right hand complicating her use of a soup spoon. “I wanted to scream and cry, but I didn’t. I didn’t want to be embarrassed by screaming out loud, and I decided to hold it all in. And I bent over, and I thought I was going to pass out. Or throw up. And I thought: ‘This is it. This is how Diana feels on her drugs. Everything is inside her, and nothing is coming out.’ ”
( Read more... )
An Evolving Portrait of Anguish
By BRUCE WEBER
THE actress Alice Ripley lives on Long Island, and not long ago she was on her way to work at the Booth Theater on Broadway when she broke her index finger, catching it in a train station door.
“The train had pulled in, and it happened just then,” she recalled over lunch in the theater district recently, a splint on her right hand complicating her use of a soup spoon. “I wanted to scream and cry, but I didn’t. I didn’t want to be embarrassed by screaming out loud, and I decided to hold it all in. And I bent over, and I thought I was going to pass out. Or throw up. And I thought: ‘This is it. This is how Diana feels on her drugs. Everything is inside her, and nothing is coming out.’ ”
( Read more... )